Rick Ross Drops 'Set In Stone,' His First Solo Album in Four Years

Rick Ross is back on his own terms. Set In Stone is his first solo album since 2022, and after the collaborative detour with Meek Mill on Too Good To Be True, Rozay comes through with a full project that sounds exactly like what you'd expect from the Biggest Boss. No reinvention, no identity crisis. Just boss music.

The feature list was put together with care. Ross tapped veterans like T.I. and French Montana alongside newer names like Don Toliver and BigXthaPlug, and it works because none of it feels forced. These are artists who understand the lane Ross has built over two decades, and they fit into it without crowding him out.

What 'Set In Stone' Gets Right About Rick Ross in 2025

The standout moment early listeners keep coming back to is "Remarkable Hussle," which brings in Leon Thomas and doubles as a salute to the late Nipsey Hussle. Thomas has been on a run lately, and his vocals here are a reminder of why producers and artists across the industry keep calling him. It's one of those features that earns its place.

Ross also let The-Dream and YFN Lucci into the room, a pairing that may fly under the radar but reflects how Rozay has always moved: quietly building chemistry with artists across different corners of the culture before most people see the connection coming.

For the record, a Deon Cole skit rounds out the project with some levity, sketching out what a night out with Ross might actually look like. It's the kind of detail that separates an album from a playlist dump.

There's also a line Ross drops claiming he wrote for a rapper "not from the streets," which has people speculating. He hasn't named names, and at this point, the mystery is part of the rollout.

Why Independent Artists Should Pay Attention to This Release

Set In Stone is a case study in catalog strategy. Ross has spent years building a sound identity so specific that even a four-year gap between solo projects doesn't shake the audience. Independent artists building their own lane right now should take note of how he curates features, how he balances legacy acts with rising talent, and how he keeps the aesthetic consistent without letting it go stale.

If you're working on your own release strategy or looking for events where this kind of conversation happens in LA, check out what's moving on our [events page](/events) or [submit your project](/submit) if you're ready to get it in front of people who care about the craft.

Set In Stone is out now. Watch how it moves on the charts over the next few weeks. Ross has never been a first-week-numbers artist. He's a slow burn, and that's always been the point.