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Skillet Releases New EP After the Storm at 30 Years

Skillet's six-song EP After the Storm is out now, driven by John Cooper's personal reckoning with faith and betrayal.

Something Dope · · 4 min read

Skillet frontman John Cooper performing live on the Comatose 20 Years Still Screaming Tour
via Spotify · Skillet

Skillet is three decades deep and still finding new ground. The Christian rock band dropped After the Storm, a six-song EP, on October 9, marking both a 30th anniversary milestone and one of the most personally raw releases in the band's catalog. Frontman John Cooper wrote through a fractured relationship with his church community, and the result is a collection that sits somewhere between confession and resilience.

The EP is out on Skillet's own Hear It Loud imprint, distributed through Vydia. Cooper launched the label in 2013 while the band was still on Atlantic Records, a deal that ran until 2022. Going independent gave the band the ability to move when the music called for it, without the usual label machinery slowing things down.

What Is After the Storm About and Why It Lands Now

Cooper has been open about the fact that the EP came out of a difficult stretch tied to a split from a church he and his family had helped build. He is not naming names, but he is not softening the experience either. He describes a couple of years of watching people use institutional power to isolate and control, and the depression that followed.

"I just don't understand it," Cooper said in a Billboard interview. "But it's not like God doesn't know. It's not like it's a surprise to Him that you are angry."

The EP does not wallow. The lead single "Scream" opens with the line "the silence behind the screen" and taps into something anyone running on information overload will recognize immediately. The second single "Lift Me Up" goes heavier but pivots to a melodic chorus that lands on the side of not giving up. Both tracks were produced by Korey Cooper, John's wife and Skillet's guitarist and keyboardist, who handled three of the six songs on the project.

For the other tracks, the band worked for the first time with writer and producer David Cowell, known for his work with Sleep Theory and Nevertel. The collaboration brought Skillet back to Memphis, where the band got its start, for the first time since 2003. Cowell had been a fan since before the band was signed, and he was reportedly in the crowd at a 2000 live recording. That kind of full-circle moment is not nothing when you are making a record about survival.

Skillet at 30 and What the Numbers Actually Say

The anniversary context here is real. The RIAA has certified Skillet at 30 million equivalent albums moved. Their 2009 single "Monster" has crossed five billion global streams and holds the record as the first Christian song to surpass one billion streams on Spotify. These are not niche numbers.

The band is also currently on the Comatose 20 Years, Still Screaming Tour, running through November 10 in the U.S. That tour celebrates the 2006 album Cooper credits with reshaping the band's trajectory. The lineup has been consistent for years: Cooper on lead vocals and bass, Korey on guitar and keys, Jen Ledger on drums and vocals, and Seth Morrison on lead guitar.

Cooper points out that the shows are drawing multiple generations now, with younger fans mixing in alongside people who have been coming since the early days. In a moment when a lot of legacy rock acts are coasting on nostalgia, Skillet is releasing new material and selling tickets. That matters.

For independent artists and creators watching how this works, the Hear It Loud model is worth paying attention to. A band with major label history and a real catalog built their own imprint, stayed distribution-flexible, and now release music on their own timeline. After the Storm would have been a harder record to make inside a traditional label structure, and Cooper knows it.

The EP is available now across streaming platforms. The Comatose tour runs through early November. Whether or not Christian rock is your lane, the business story here and the emotional honesty behind the music are both worth tracking.

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