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Weyes Blood Debuts New Songs Modern Dreams Good Lovers

Natalie Mering previewed two new orchestral songs at BBC Proms, hinting at a third album.

Something Dope · · 3 min read

Weyes Blood performing at the Royal Albert Hall with Jules Buckley's Orchestra at BBC Proms.
via Spotify · Weyes Blood

Weyes Blood has been quiet on the album front since 2022, but Natalie Mering just made the wait feel a little more finite. On Tuesday, she performed at the Royal Albert Hall in London as part of the BBC Proms concert series, sharing two brand-new songs with the world: "Modern Dreams" and "Good Lovers."

The performance paired Mering with conductor Jules Buckley and his full orchestra, and the setting suited her. Both songs land as elaborately arranged torch pieces, the kind of sweeping, cinematic writing she has built her reputation on across two acclaimed albums. Her voice, by all accounts, was in full form.

What We Know About the New Weyes Blood Music

No album has been officially announced, but the context around these two songs is hard to ignore. Mering's last full-length, And In The Darkness, Hearts Aglow, came out in November 2022 and was widely regarded as one of the best records of that year, cementing her place as one of indie rock's most essential voices. Before that, 2019's Titanic Rising put her on the map for a much wider audience.

Both albums are understood to be part of a trilogy. Speculation has been building for months that Mering is close to completing the third installment. Nothing is confirmed yet, but debuting two new songs at a high-profile, globally streamed BBC Proms concert is not a low-key move. This feels like the beginning of a campaign.

In the time between records, Mering has stayed active in ways that kept her name in circulation without rushing the next chapter. Earlier this year, she sang backup for Olivia Rodrigo on Saturday Night Live, a moment that introduced her to a new wave of listeners who may not have found Titanic Rising or Hearts Aglow on their own. She has also contributed to soundtracks and collaborative projects throughout the cycle.

Why This Matters for Artists Watching the Long Game

Weyes Blood's trajectory is worth studying for anyone building a creative career with integrity at the center. Mering has never chased a trend or rushed a release to stay relevant. She took nearly four years between albums, spent that time working with other artists, and then re-emerged at one of the most prestigious concert venues in the world with material that sounds like it belongs there.

The BBC Proms platform is no small thing either. The concert series draws massive audiences globally, and the BBC's stream of Tuesday's performance gave these two songs an immediate, wide reach without a traditional press rollout. Mering essentially let the music speak before any PR cycle could frame it.

For independent creators watching how established artists build longevity, this is a case study in patience and placement. She picked a moment that matched the scale of the music rather than forcing the music into a moment that didn't fit.

Audio from the BBC Proms performance is circulating, and a video clip of "Good Lovers" has already started moving on social. If you want to hear where Weyes Blood is headed next, this is your first look.

If a Weyes Blood show lands in LA as part of whatever campaign follows this, we'll have it on our [events page](/events). And if you're an artist building toward your own moment, you can always [submit your music](/submit) so we're ready when it arrives.

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